Showing posts with label jay. Show all posts
Showing posts with label jay. Show all posts

Sunday, August 16, 2009

Ricky Jay




Cardgrrl sent me a link to an old (1993) New Yorker magazine article about Ricky Jay, of whom I am a big fan. To whet your appetite, here's a sample:


After twenty minutes of disbelief-suspending manipulations, Jay spread the deck face up on the bar counter and asked Nogulich to concentrate on a specific
card but not to reveal it. Jay then assembled the deck face down, shuffled, cut
it into two piles, and asked Nogulich to point to one of the piles and name his
card.

“Three of clubs,” Nogulich said, and he was then instructed to turn over
the top card.

He turned over the three of clubs.

Mosher, in what could be interpreted as a passive-aggressive act, quietly announced, “Ricky, you know, I also concentrated on a card.”

After an interval of silence, Jay said, “That’s interesting, Gregory, but I only do this for one person at a time.”

Mosher persisted: “Well, Ricky, I really was thinking of a card.”

Jay paused, frowned, stared at Mosher, and said, “This is a distinct change of procedure.” A longer pause. “All right—what was the card?”

“Two of spades.”

Jay nodded, and gestured toward the other pile, and Mosher turned over its top card.

The deuce of spades.

A small riot ensued.

See the full piece here:

http://www.newyorker.com/archive/1993/04/05/1993_04_05_054_TNY_CARDS_000362341?currentPage=all

Sunday, October 05, 2008

You do not want to play poker with this man

If you thought the last Ricky Jay performance was amazing (I described the movie scene, and readers supplied the YouTube link in the comments), prepare to have your mind blown with this one. I can't even begin to comprehend how this is possible.





While we're at it, might as well throw in a few more bits of his prestidigitation to astonish you. The man is simply phenomenal.











Saturday, September 20, 2008

A great poker scene in a non-poker movie

I love Ricky Jay's work. If he is in a movie or show, that alone makes it worth watching.

About a month ago I learned about a CD he had compiled, which had previously escaped my attention. While poking around the net to read more about it, I also happened upon a reference to a movie Jay had been in that I had never heard of before. It's the 1995 made-for-TV film, "The Ranger, the Cook, and a Hole in the Sky." I ordered it from Netflix and watched it a couple of days ago.

It's a pretty dumb and forgettable movie overall, barely worth the time it takes to watch it. It's based on a Norman McLean ("Mac," played in the movie by Jerry O'Connell) book reminiscing about the summer of 1919, which he spent working in the Bitterroot mountains for the U.S. Forest Service. But as expected, Ricky Jay provides the movie's one great highlight.

He plays Mr. Hawkes, the surly and mysterious cook for the forest service men. Mac repeatedly tries to goad Hawkes into card games. The cook always declines, with increasing irritation each time, by saying, "I don't play cards against the men I work with."

The confrontation finally reaches a boiling point with yet one more challenge from Mac, who fancies himself quite a poker player. Hawkes again sternly refuses: "How many times do I have to tell you? I don't play cards against the men I work with!"



This time, though, the head ranger, played by Sam Elliott, quietly says to Hawkes, "Why don't you show him why you don't play cards with the men you work with?"



The cook apparently sees the wisdom of this, and walks over to the table. He picks up the deck of cards, inspecting the faces.



He then shuffles the deck without even sitting down.



As he does so, at seemingly random moments, he flicks out the four aces in succession.



He then sits and thoroughly shuffles the deck again.



He has Mac cut the deck.



He then deals out five five-card hands with machine-gun rapidity.



He tells Mac to look at the hands. Mac was dealt four tens. The other men, who have gathered around, help expose the other hands, which include four jacks, four queens, and four kings.



Hawkes leans in close to Mac, and sneers, "I bet I win." Mac turns over the hand that Hawkes has dealt to himself: four aces.



Now, up to this point the scene has been shot without a single cut. The director clearly wants us to understand that this has all been Ricky Jay's artistry with cards on display, without any camera or editing tricks. It is indeed a bravura performance. But now we have our first cut, to the stunned face of Mac, who can only be thinking, "Holy #$%@&! This is the guy I challenged to a poker game!?"



We cut back to the cook. He gathers up the cards and starts shuffling some more. He gives Mac a little lecture about how he plays poker for a living, but takes summers off for his health, signing on as a cook and dishwasher to keep his hands soft. As he's chatting and shuffling, he again casually flicks out of the deck the aces, one at a time.



He concludes with his emphatic final words, which I think it's safe to say is the last time he will have to decline one of Mac's invitations: "I don't play cards against the men I work with!"

It's one of the greatest poker scenes in any movie, ever, even though not a single hand of actual poker is played.

Jay comes back one more time later in the movie for a poker game against the cheating sharks in a nearby town. This is supposed to be the climax of the movie, for which the scene in the ranger station was just the set-up. I won't tell you what happens, in case you want to watch it yourself. But I will say that it's disappointing, both because they show so little actual poker, and because they don't let Ricky Jay do any more of his dazzling handiwork.

The scene I described is one of the greatest possible warnings and reminders of what a truly skilled card mechanic can do with a deck, what complete control can be exerted over the cards. You do not want to be in a home game with such a person at the table. Commercial casinos with Shufflemasters and professional dealers make me feel much more at ease.

Anyway, if you have Netflix, I'd recommend putting this movie in your queue. Even with the detailed description and screen shots above, the scene is still worth watching a few times, in order to appreciate Ricky Jay's mastery. You can skip the rest of the movie without missing much.

Monday, August 18, 2008

On my non-iPod





The first I heard of this CD was when Shamus mentioned it last week in a post detailing the poker references made in Rolling Stone magazine over the years. I zipped over to amazon.com and ordered myself a used copy right away. I've never come across anything that Ricky Jay has done or been in that I didn't like, so it was not a difficult decision. The disc arrived Friday, and I gave it a first listen today. Me likey.

There are 19 poker-related songs, plus one track that is a snippet of dialog between Jay and Joe Mantegna from the movie "House of Games"--coincidentally the same scene that I mentioned here.

The songs selected range in dates from 1914 to 2004, and come from jazz, blues, country, plus a few not readily categorized, such as Bob Dylan, or Lorne Greene narrating (rather than attempting to sing) a ballad, the plot of which might remind modern poker-playing listeners of the movie "Lucky You."

I think my favorite song on the first time through was, ironically, probably the least directly connected to poker: "Ace in the Hole," by Dave Van Ronk. Below are the lyrics, as found here:

This town is full of guys who think they’re mighty wise,
Just because they know a thing or two.
You can see them every day, strolling up and down Broadway,
Telling of the wonders they can do.
You’ll see wise guys and boosters,
Card sharps and crap shooters,
They congregate around the Metropole.
They wear those flashy ties and collars,
But where they get their dollars,
They’ve all got an ace down in the hole.

Some of them write to the old folks for coin,
That’s their ace in the hole.
Others have girls on that old tenderloin,
That’s their ace in the hole.

They’ll tell you of trips they are going to take,
From Frisco up to the North Pole.
But they’d end up on that line, in their clothes not a dime,
If they lost that old ace in the hole.

Wherever you might stray, along the Great White Way,
They’ll corner you and start in telling lies.
Of oil wells in Nebraska and gold mines in Alaska,
You’ll be immersed in bullshit to your eyes.
But every hustler knows
Bullshit buys no clothes
And only cold cash keeps you off the dole.
So some of them wash dishes,
And some of them are snitches,
But all of them have aces in the hole.

Drifters who dwell on that slippery slope,
Grifters who jump their parole,
Trying to sell bags of catnip for dope,
That’s their ace in the hole.

They’ll tell you of money they’ve made and they’ve spent
And flash a Missouri bankroll.*
But their names would be mud,
Like a chump dealing stud
If they lost that old ace in the hole.


*I had to look up this term. It's "a roll or wad of blank paper, cut to the same size as dollar bills, surrounded by a few real notes of high denomination." See here for the defintion and history.

Monday, December 03, 2007

Respect or money




I'm in the middle of watching "House of Games," a 1987 David Mamet film that revolves around poker and con men (http://www.imdb.com/title/tt0093223/). In one early scene, Joe Mantegna is in a hand of draw poker with Ricky Jay*, who has been bullying the table. Mantegna, with three aces, check-raises Jay. But to his surprise, Jay, who drew just one card, re-raises him all-in. Mantegna stands up from the table, furious. He says, "You son of a bitch, you've been steamrolling over me all night! What are you trying to tell me? One card? You caught a flush? A boat? What? I think you're bluffing, pal. I think you're trying to buy it."

Jay just sits there, calmly but menacingly, then quietly replies, "Then you're going to have to give me some respect, or give me some money."

Oh, SNAP!

I'm not much of one for using talk to try to manipulate opponents into doing what I want them to do, but if I were, that is definitely a line I would add to my arsenal.

The dialogue in this movie, as would be expected from any Mamet work, is first-rate. It's so good that the Poker Grump is willing to overlook the game's use of non-standard rules. After all, they're in the back room of a bar, and laxity of rules is probably realistic in that scenario.

Here's another little nugget from Montegna's character, just before he folds to a large bet: "If a guy's got a full house and you've got two pair, that puts you in a philosophically indefensible position."

Indeed.



*For those who don't know, Ricky Jay was demonstrating world-class talent for high-velocity, high-accuracy card throwing many years before Chris Ferguson ever thought of taking up the challenge. See, e.g., http://www.youtube.com/watch?v=UI_vaCADD4c; http://www.youtube.com/watch?v=HFAzKv8_XF4.) He even wrote a book about the technique in 1977 ("Cards as Weapons"), which is considered the bible on the subject, and was for a long time in the Guinness Book of World Records for throwing a playing card 190 feet at 90 miles per hour (http://en.wikipedia.org/wiki/Ricky_Jay).